Radiant Facets of Devotion: The Rubies of the Trinity
— Narasimhan Vijayaraghavan There are evenings in the Margazhi season when art transcends performance and becomes quiet testimony. One such eRead More…
— Narasimhan Vijayaraghavan There are evenings in the Margazhi season when art transcends performance and becomes quiet testimony. One such eRead More…
–Narasimhan Vijayaraghavan For a change, one chose not to sit in the audience but on the dias itself, flanking the performers on either sideâRead More…
விசுவ ஹிந்து பரிஷத் – தாம்பரம் மாவட்டம் ‘ஓம் சரவணபவ’ வேà®Read More…
Narasimhan Vijayaraghavan The mid-winter air of Chennai is expected to smell of jasmine, wet silk, and filter coffee. This Margazhi, however, Read More…
— Narasimhan Vijayaraghavan It is 13.22 PM. December, 25th, 2025. Thursday. Venue: R R Sabha, Mylapore. Auspices: Brahma Gana Sabha. It isRead More…
இலக்கியச் சாரல் அமைப்பானது கவிமாமணி இளையவன் அவர்களாà®Read More…
Narasimhan Vijayaraghavan The thinning of audiences in the 2025–26 season is not a quirk of calendar but a structural malRead More…
— Narasimhan Vijayaraghavan On the twenty-first evening of December 2025, the venerable halls of Narada Gana Sabha wereRead More…
— Narasimhan Vijayaraghavan In the sandalwood-laced stillness of Narada Gana Sabha, where December evenings once swelled with anticipatory muRead More…
— Narasimhan Vijayaraghavan From the ethereal banks of a timeless Kaveri, the Trinity looks down upon the neon-lit sprawl of the modern SabhaRead More…
— Narasimhan Vijayaraghavan One walked into the hall and was greeted not by silence but by absence. A vast, upholstered Sahara stretched befRead More…
— ராம் மாதவ்தமிழில்: திருநின்றவூர் ரவிக்குமார் தில்à®Read More…